22 – 26 September, 2014
Taos Ski Valley, Hotel St. Bernard
(Includes NM tax and hotel gratuity)
Limited to 20 students
Cancellation date: 22 August
Workshop includes all model fees and a private room, meals and amenities at the Hotel St. Bernard (stbernardtaos.com) for 6 days / 5 nights.
ABOUT CAROLYN ANDERSON
Carolyn Anderson, a nationally recognized pastelist and oil painter, was born and raised in the Chicago area. Anderson attended school at Illinois State University. She joined the Vista program (Volunteers in Service to America) in the early 70′s and was assigned to work on an Indian reservation in Montana, She eventually returned to Montana and now lives in Havre, a small community in north central Montana near the Canadian border.
She is a Master Artist with the American Impressionist Society (AIS) and a member of the Northwest Rendezvous (NWR). Her work has been featured in numerous publications, including Southwest Art, Art of the West, American Artist and the Big Sky Journal. Some of her awards include the C.M. Russell Artists’ Choice, the NWR Award of Excellence, two CM Russell Best of Show Awards and most recently the 2010 Master Award of Excellence for AIS.
Anderson teaches numerous painting workshops across the country. She has taught for the Frye Museum in Seattle, Walt Disney Imagineering, The Scottsdale Artists School, and the Fechin Art Workshops. Her work is in the collection of many well-known artists and the Montana Historical Society.
Learning to see and interpret reality, with an emphasis on expressive painting, will be the subject of this workshop. Live models will be our principal subject matter. We will discuss composition, value, color, contrast, and the use of lost and found edges, while paying particular attention to the importance of seeing and learning how to respond to and evaluate the information. A painting should allow the artist to interpret the subject matter in a creative and interesting way. The ability to see and paint what one is seeing is extremely important, but it is the interpretation of that seeing which results in an interesting and sensitive painting.
Demonstrations, group discussion, a slide presentation, and individual instruction will be offered throughout the week. This class is for the intermediate to advanced painter.
I prefer Holbein paints and use the following colors:
Cadmium red light
Yellow ochre and/or gold ochre (I usually use gold ochre)
Permanent yellow deep
Permanent yellow light
Permanent orange (the permanent colors are substitutes for cadmiums)
Ultramarine blue deep
Crimson lake or alizarin crimson
White (preferably a white with a more fluid consistency) e.g. Gamblin, Rembrandt or Holbein Titanium
NOTE: Terra verte, mineral violet and gold ochre are specific colors to Holbein. Gamblin’s manganese violet is very similar to the mineral violet. Other terra vertes are not the same color as the Holbein brand.
A good source for Holbein materials is www.black-horse.com or 800-790-2552.
I recommend bristle brushes, such as hog bristle, in flats, sizes 4 to 10 or 12.
I also use a smaller size synthetic round, e.g. 2 or 4.
Gessoed masonite can be a good surface to work on. I’ve found Liquitex gesso to be the best and I apply it with a small foam roller. Three coats is adequate. I also use linen panels, Claussens 15 or 66 canvas. Try to avoid panels that are too smooth and have no tooth. Plan on two panels per day.
I would like to see smaller sized panels or canvases used in the workshop. A finished 9×12 or 12×16 is much better than a partially covered 20×26. With this in mind, please limit your panel and canvas size.
TURPENOID OR GAMSOL ONLY! Please do not bring “oderless mineral spirits” or “Turpernoid Natural”. Please, no mediums during the workshop.
Check with the workshop organization regarding easels.